what was the most recent musical to win best picture?
| Academy Laurels for All-time Original Score | |
|---|---|
 The 2021 recipient: Hans Zimmer | |
| State | United States |
| Presented by | Academy of Motion Movie Arts and Sciences |
| First awarded | Feb 27, 1935 (1935-02-27) |
| Near contempo winner | Hans Zimmer Dune (2021) |
| Website | oscars |
The Academy Accolade for Best Original Score is an award presented annually by the Academy of Motion-picture show Arts and Sciences (AMPAS) to the best substantial trunk of music in the form of dramatic underscoring written specifically for the picture by the submitting composer.[1] Some pre-existing music is allowed, though, but a contending movie must include a minimum of original music. This minimum since 2020 is established in sixty% of the music, which is raised to 80% for sequels and franchise films.[2] Fifteen scores are shortlisted before nominations are announced.
History [edit]
The University began awarding movies for their scores in 1935. The category was originally called All-time Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for One Hundred Men and a Girl in 1938, a picture show without a credited composer that featured pre-existing classical music, the Academy added a Best Original Score category in 1939.[3] In 1942, the distinction between the two Scoring categories changed slightly every bit they were renamed to Best Music Score of a Dramatic Pic and Best Scoring of a Musical Picture.[4] This marked the first fourth dimension the category was separate into separate genres, a stardom that technically still lasts today, although there haven't been enough submissions for the musical category to exist activated since 1985. From 1942 to 1985, musical scores had their ain category, with the exception of 1958, 1981, and 1982. During that time, both categories had many name changes:
| 1. Non-musical scores
| 2. Musical scores
|
Following the wins of iv Walt Disney Feature Blitheness films in six years from 1990 to 1995 (The Niggling Mermaid, Beauty and the Beast, Aladdin, and The Lion Rex) during a flow called the Disney Renaissance, it was decided to once again dissever the All-time Original Score category by genres, this time by combining comedies and musicals together. As Alan Bergman, the chairman of the University'southward music branch said, "People were voting for the songs, non the underscores. We felt that Academy members exterior the music branch didn't distinguish betwixt the two. So when a score similar The Lion King is competing against a drama like Forrest Gump, it's apples and oranges – not in the quality of the score, but in the mode it functions in the movie. There's a big difference."[five] The category was therefore separate into All-time Original Dramatic Score and Best Original Musical or Comedy Score in 1996. This change proved unpopular in the other branches of the Academy as Charles Bernstein, chairman of the Academy'due south rules committee, noted that "no other Oscar category depended on a flick'south genre" and "the job of composing an underscore for a romantic comedy is not substantially different from working on a heavy drama."[5] This carve up was reverted in 2000.
In 2020, rules were changed to require that a motion-picture show'due south score include a minimum of lx% original music. Franchise films and sequels must include a minimum of 80% new music.[6] In 2021, the rules were changed again, lowering the minimum percentage of original music from 60% to 35% of the total music in the film.[7]
University Honour for Best Original Musical [edit]
The Academy Award for Best Original Musical is a category that was re-established in 2000 after the All-time Original Musical or Comedy Score category was retired. It has never been awarded in its present form due to a prolonged drought of films meeting the sufficient eligibility requirements. The Music Co-operative Executive Committee of the Academy decides whether in that location are enough quality submissions to justify its activation.[eight]
According to the rules, the Best Original Musical is divers equally follows:
An original musical consists of not fewer than five original songs by the aforementioned writer or team of writers, either used equally voiceovers or visually performed. Each of these songs must exist substantively rendered, clearly audible, intelligible, and must further the storyline of the motion motion picture. An arbitrary grouping of songs unessential to the storyline will not exist considered eligible.[8]
Winners and nominees [edit]
The following is the list of nominated composers organized by twelvemonth, and listing both films and composers. The years shown in the following listing of winners are the production years, thus a reference to 1967 means the Oscars presented in 1968 for films released in 1967.
1930s [edit]
| Yr | Film | Nominees |
|---|---|---|
| 1934 (seventh) [notation 1] | ||
| One Night of Honey | Columbia Studio Music Department, Louis Silvers, head of department (Thematic music past Victor Schertzinger & Gus Kahn) | |
| The Gay Divorcee | RKO Radio Studio Music Section, Max Steiner, caput of section (Score past Kenneth Webb & Sam Hoffenstein) | |
| The Lost Patrol | RKO Radio Studio Music Department, Steiner, head of department (Score past Steiner) | |
| 1935 (8th) | ||
| The Informer | RKO Radio Studio Music Section, Max Steiner, head of department (Score past Steiner) | |
| Captain Claret (Write-in)[notation 2] [nine] | Warner Bros.-First National Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
| Mutiny on the Bounty | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) | |
| Peter Ibbetson | Paramount Studio Music Department, Irvin Talbot, head of department (Score past Ernst Toch) | |
| 1936 (9th) | ||
| Anthony Adverse | Warner Bros. Studio Music Section, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold) | |
| The Charge of the Light Brigade | Warner Bros. Studio Music Department, Forbstein, head of department (Score by Max Steiner) | |
| The Garden of Allah | Selznick International Pictures Music Section, Steiner, head of department (Score by Steiner) | |
| The General Died at Dawn | Paramount Studio Music Department, Boris Morros, head of department (Score by Werner Janssen) | |
| Winterset | RKO Radio Studio Music Department, Nathaniel Shilkret, head of section (Score by Shilkret) | |
| 1937 (10th) [note three] | ||
| One Hundred Men and a Girl | Universal Studio Music Department, Charles Previn, head of section (no composer credit) | |
| The Hurricane | Samuel Goldwyn Studio Music Department, Alfred Newman, head of department (Score by Newman) | |
| In Onetime Chicago | 20th Century-Fox Studio Music Department, Louis Silvers, head of department (no composer credit) | |
| The Life of Emile Zola | Warner Bros. Studio Music Department, Leo F. Forbstein, caput of section (Score by Max Steiner) | |
| Lost Horizon | Columbia Studio Music Section, Morris Stoloff, head of department (Score by Dimitri Tiomkin) | |
| Make a Wish | Principal Productions, Hugo Riesenfeld, head of department (Score by Riesenfeld) | |
| Maytime | Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, caput of section (Score by Herbert Stothart) | |
| Portia on Trial | Republic Studio Music Department, Alberto Colombo, caput of department (Score by Colombo) | |
| The Prisoner of Zenda | Selznick International Pictures Music Department, Alfred Newman, head of department (Score by Newman) | |
| Quality Street | RKO Radio Studio Music Department, Roy Webb, head of department (Score past Webb) | |
| Snow White and the Seven Dwarfs | Walt Disney Studio Music Department, Leigh Harline, head of section (Score by Frank Churchill, Harline & Paul Smith) | |
| Something to Sing Nigh | M National Studio Music Section, Constantin Bakaleinikoff, caput of section (Score past Victor Schertzinger) | |
| Souls at Body of water | Paramount Studio Music Department, Boris Morros, head of department (Score by W. Franke Harling & Milan Roder) | |
| Way Out W | Hal Roach Studio Music Department, Marvin Hatley, head of department (Score by Hatley) | |
| 1938 (11th) | ||
| Original Score | ||
| The Adventures of Robin Hood | Erich Wolfgang Korngold | |
| Army Girl | Victor Immature | |
| Block-Heads | Marvin Hatley | |
| Occludent | Werner Janssen | |
| Breaking the Water ice | Young | |
| The Cowboy and the Lady | Alfred Newman | |
| If I Were King | Richard Hageman | |
| Marie Antoinette | Herbert Stothart | |
| Pacific Liner | Russell Bennett | |
| Suez | Louis Silvers | |
| The Young in Middle | Franz Waxman | |
| Scoring | ||
| Alexander's Ragtime Ring | Newman | |
| Carefree | Victor Baravalle | |
| Girls' School | Morris Stoloff & Gregory Stone | |
| The Goldwyn Follies | Newman | |
| Jezebel | Max Steiner | |
| Mad Well-nigh Music | Charles Previn & Frank Skinner | |
| Storm Over Bengal | Cy Feuer | |
| Sweethearts | Herbert Stothart | |
| At that place Goes My Middle | Marvin Hatley | |
| Tropic Holiday | Boris Morros | |
| The Young in Heart | Waxman | |
| 1939 (12th) | ||
| Original Score | ||
| The Wizard of Oz | Herbert Stothart | |
| Dark Victory | Max Steiner | |
| Eternally Yours | Werner Janssen | |
| Golden Boy | Victor Young | |
| Gone with the Current of air | Steiner | |
| Gulliver's Travels | Young | |
| The Homo in the Atomic number 26 Mask | Lud Gluskin & Lucien Moraweck | |
| Human being of Conquest | Young | |
| Nurse Edith Cavell | Anthony Collins | |
| Of Mice and Men | Aaron Copland | |
| The Rains Came | Alfred Newman | |
| Wuthering Heights | ||
| Scoring | ||
| Stagecoach | Richard Hageman, Due west. Franke Harling, John Leipold & Leo Shuken | |
| Babes in Arms | Roger Edens & Georgie Stoll | |
| Showtime Beloved | Charles Previn | |
| The Great Victor Herbert | Phil Boutelje & Arthur Lange | |
| The Hunchback of Notre Matriarch | Newman | |
| Intermezzo | Lou Forbes | |
| Mr. Smith Goes to Washington | Dimitri Tiomkin | |
| Of Mice and Men | Aaron Copland | |
| The Private Lives of Elizabeth and Essex | Erich Wolfgang Korngold | |
| She Married a Cop | Cy Feuer | |
| Swanee River | Louis Silvers | |
| They Shall Accept Music | Newman | |
| Way Downwardly South | Young | |
1940s [edit]
| Twelvemonth | Movie | Nominees |
|---|---|---|
| 1940 (13th) | ||
| Original Score | ||
| Pinocchio | Leigh Harline, Paul Smith & Ned Washington | |
| Arizona | Victor Young | |
| Dark Command | ||
| The Fight for Life | Louis Gruenberg | |
| The Great Dictator | Meredith Willson | |
| The House of the 7 Gables | Frank Skinner | |
| The Howards of Virginia | Richard Hageman | |
| The Letter | Max Steiner | |
| The Long Voyage Habitation | Hageman | |
| The Mark of Zorro | Alfred Newman | |
| My Favorite Wife | Roy Webb | |
| North West Mounted Police force | Immature | |
| 1 Million B.C. | Werner Heymann | |
| Our Town | Aaron Copland | |
| Rebecca | Franz Waxman | |
| The Thief of Bagdad | Miklós Rózsa | |
| Waterloo Bridge | Herbert Stothart | |
| Scoring | ||
| Tin Pan Alley | Newman | |
| Ascend, My Love | Young | |
| Hit Parade of 1941 | Cy Feuer | |
| Irene | Anthony Collins | |
| Our Boondocks | Copland | |
| The Sea Hawk | Erich Wolfgang Korngold | |
| Second Chorus | Artie Shaw | |
| Spring Parade | Charles Previn | |
| Strike Upwards the Band | Roger Edens & Georgie Stoll | |
| 1941 (14th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Devil and Daniel Webster | Bernard Herrmann | |
| Back Street | Frank Skinner | |
| Ball of Fire | Alfred Newman | |
| Cheers for Miss Bishop | Edward Ward | |
| Citizen Kane | Herrmann | |
| Dr. Jekyll and Mr. Hyde | Franz Waxman | |
| Hold Dorsum the Dawn | Victor Young | |
| How Green Was My Valley | Newman | |
| King of the Zombies | Edward Kay | |
| Ladies in Retirement | Morris Stoloff & Ernst Toch | |
| The Lilliputian Foxes | Meredith Willson | |
| Lydia | Miklós Rózsa | |
| Mercy Island | Cy Feuer & Walter Scharf | |
| Sergeant York | Max Steiner | |
| Then Ends Our Nighttime | Louis Gruenberg | |
| Sundown | Rózsa | |
| Suspicion | Waxman | |
| Tanks a Million | Ward | |
| That Uncertain Feeling | Werner Heymann | |
| This Woman Is Mine | Richard Hageman | |
| Scoring of a Musical Picture | ||
| Dumbo | Frank Churchill & Oliver Wallace | |
| All-American Co-Ed | Ward | |
| Birth of the Dejection | Robert E. Dolan | |
| Buck Privates | Charles Previn | |
| The Chocolate Soldier | Herbert Stothart & Bronisław Kaper | |
| Ice-Capades | Cy Feuer | |
| The Strawberry Blonde | Heinz Roemheld | |
| Dominicus Valley Serenade | Emil Newman | |
| Sunny | Anthony Collins | |
| You lot'll Never Get Rich | Morris Stoloff | |
| 1942 (15th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Now, Voyager | Max Steiner | |
| Arabian Nights | Frank Skinner | |
| Bambi | Frank Churchill (p.n.) & Edward Plumb | |
| The Blackness Swan | Alfred Newman | |
| The Corsican Brothers | Dimitri Tiomkin | |
| Flying Tigers | Victor Immature | |
| The Gold Rush | Max Terr | |
| I Married a Witch | Roy Webb | |
| Joan of Paris | ||
| Jungle Volume | Miklós Rózsa | |
| Klondike Fury | Edward Kay | |
| The Pride of the Yankees | Leigh Harline | |
| Random Harvest | Herbert Stothart | |
| The Shanghai Gesture | Richard Hageman | |
| Silver Queen | Victor Young | |
| Take a Letter, Darling | ||
| The Talk of the Town | Friedrich Hollaender & Morris Stoloff | |
| To Be or Non to Be | Werner Heymann | |
| Scoring of a Musical Moving picture | ||
| Yankee Doodle Smashing | Ray Heindorf & Heinz Roemheld | |
| Flying with Music | Edward Ward | |
| For Me and My Gal | Roger Edens & Georgie Stoll | |
| Holiday Inn | Robert E. Dolan | |
| Information technology Started with Eve | Hans J. Salter & Charles Previn | |
| Johnny Doughboy | Walter Scharf | |
| My Gal Sal | Alfred Newman | |
| You lot Were Never Lovelier | Leigh Harline | |
| 1943 (16th) | ||
| Music Score of a Dramatic or One-act Flick | ||
| The Song of Bernadette | Alfred Newman | |
| The Amazing Mrs. Holliday | Frank Skinner & Hans J. Salter | |
| Casablanca | Max Steiner | |
| Commandos Strike at Dawn | Morris Stoloff & Louis Gruenberg | |
| The Fallen Sparrow | Roy Webb & Constantin Bakaleinikoff | |
| For Whom the Bell Tolls | Victor Immature | |
| Hangmen Also Dice! | Hanns Eisler | |
| Hi Diddle Diddle | Phil Boutelje | |
| In Onetime Oklahoma | Walter Scharf | |
| Johnny Come Lately | Leigh Harline | |
| The Kansan | Gerard Carbonara | |
| Lady of Burlesque | Arthur Lange | |
| Madame Curie | Herbert Stothart | |
| The Moon and Sixpence | Dimitri Tiomkin | |
| The N Star | Aaron Copland | |
| Victory Through Air Power | Edward Plumb, Paul Smith & Oliver Wallace | |
| Scoring of a Musical Picture | ||
| This Is the Army | Ray Heindorf | |
| Coney Island | Alfred Newman | |
| Hit Parade of 1943 | Walter Scharf | |
| Phantom of the Opera | Edward Ward | |
| Saludos Amigos | Plumb, Smith & Charles Wolcott | |
| The Sky'south the Limit | Leigh Harline | |
| Something to Shout About | Morris Stoloff | |
| Phase Door Canteen | Fred Rich | |
| Star Spangled Rhythm | Robert E. Dolan | |
| Thousands Cheer | Herbert P. Stothart | |
| 1944 (17th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Since Y'all Went Away | Max Steiner | |
| Address Unknown | Morris Stoloff & Ernst Toch | |
| The Adventures of Marker Twain | Steiner | |
| The Bridge of San Luis Rey | Dimitri Tiomkin | |
| Casanova Brown | Arthur Lange | |
| Christmas Vacation | Hans J. Salter | |
| Double Indemnity | Miklós Rózsa | |
| The Fighting Seabees | Walter Scharf & Roy Webb | |
| The Hairy Ape | Michel Michelet & Edward Paul | |
| Information technology Happened Tomorrow | Robert Stolz | |
| Jack London | Fred Rich | |
| Kismet | Herbert Stothart | |
| None but the Lonely Heart | Constantin Bakaleinikoff & Hanns Eisler | |
| The Princess and the Pirate | David Rose | |
| Summer Storm | Karl Hajos | |
| Three Russian Girls | Franke Harling | |
| Up in Mabel's Room | Edward Paul | |
| Voice in the Wind | Michel Michelet | |
| Wilson | Alfred Newman | |
| The Woman of the Town | Miklós Rózsa | |
| Scoring of a Musical Picture | ||
| Cover Girl | Morris Stoloff & Carmen Dragon | |
| Brazil | Walter Scharf | |
| Higher and Higher | Bakaleinikoff | |
| Hollywood Canteen | Ray Heindorf | |
| Irish Eyes Are Smiling | Newman | |
| Knickerbocker Holiday | Werner Heymann & Kurt Weill | |
| Lady in the Nighttime | Robert Emmett Dolan | |
| Lady, Permit'south Dance | Edward Kay | |
| Come across Me in St. Louis | Georgie Stoll | |
| The Merry Monahans | Hans J. Salter | |
| Minstrel Man | Ferde Grofé & Leo Erdody | |
| Sensations of 1945 | Mahlon Merrick | |
| Song of the Open Road | Charles Previn | |
| Up in Arms | Louis Forbes & Ray Heindorf | |
| 1945 (18th) | ||
| Music Score of a Dramatic or One-act Motion-picture show | ||
| Spellbound | Miklós Rózsa | |
| The Bells of St. Mary'southward | Robert Due east. Dolan | |
| Brewster's Millions | Louis Forbes | |
| Captain Kidd | Werner Janssen | |
| The Enchanted Cottage | Roy Webb | |
| Flame of Barbary Coast | Morton Scott & Dale Butts | |
| Yard. I. Honeymoon | Edward J. Kay | |
| G. I. Joe | Louis Applebaum & Ann Ronell | |
| Guest in the House | Janssen | |
| Guest Wife | Daniele Amfitheatrof | |
| The Keys of the Kingdom | Alfred Newman | |
| The Lost Weekend | Miklós Rózsa | |
| Love Letters | Victor Young | |
| The Man Who Walked Solitary | Karl Hajos | |
| Objective, Burma! | Franz Waxman | |
| Paris Underground | Alexandre Tansman | |
| A Song to Call back | Rózsa & Morris Stoloff | |
| The Southerner | Werner Janssen | |
| This Beloved of Ours | Hans J. Salter | |
| The Valley of Decision | Herbert Stothart | |
| The Woman in the Window | Arthur Lange & Hugo Friedhofer | |
| Scoring of a Musical Picture | ||
| Anchors Aweigh | Georgie Stoll | |
| Belle of the Yukon | Lange | |
| Tin't Help Singing | Jerome Kern (p.n.) & Salter | |
| Hitchhike to Happiness | Morton Scott | |
| Incendiary Blonde | Robert Eastward. Dolan | |
| Rhapsody in Blue | Ray Heindorf & Max Steiner | |
| State Fair | Alfred Newman & Charles Henderson | |
| Sunbonnet Sue | Edward J. Kay | |
| The Three Caballeros | Edward Plumb, Paul Smith & Charles Wolcott | |
| Tonight and Every Night | Marlin Skiles & Morris Stoloff | |
| Why Girls Leave Dwelling house | Walter Greene | |
| Wonder Man | Louis Forbes & Ray Heindorf | |
| 1946 (19th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The All-time Years of Our Lives | Hugo Friedhofer | |
| Anna and the Male monarch of Siam | Bernard Herrmann | |
| Henry 5 | William Walton | |
| Humoresque | Franz Waxman | |
| The Killers | Miklós Rózsa | |
| Scoring of a Musical Pic | ||
| The Jolson Story | Morris Stoloff | |
| Bluish Skies | Robert Emmett Dolan | |
| Centennial Summer | Alfred Newman | |
| The Harvey Girls | Lennie Hayton | |
| Night and Day | Ray Heindorf & Max Steiner | |
| 1947 (20th) | ||
| Music Score of a Dramatic or Comedy Moving-picture show | ||
| A Double Life | Miklós Rózsa | |
| The Bishop'south Wife | Hugo Friedhofer | |
| Captain from Castile | Alfred Newman | |
| Forever Bister | David Raksin | |
| Life with Father | Max Steiner | |
| Scoring of a Musical Picture | ||
| Mother Wore Tights | Alfred Newman | |
| Fiesta | Johnny Green | |
| My Wild Irish gaelic Rose | Ray Heindorf & Max Steiner | |
| Road to Rio | Robert Emmett Dolan | |
| Vocal of the South | Daniele Amfitheatrof, Paul Smith & Charles Wolcott | |
| 1948 (21st) | ||
| Music Score of a Dramatic or Comedy Moving picture | ||
| The Ruddy Shoes | Brian Easdale | |
| Village | William Walton | |
| Joan of Arc | Hugo Friedhofer | |
| Johnny Belinda | Max Steiner | |
| The Snake Pit | Alfred Newman | |
| Scoring of a Musical Flick | ||
| Easter Parade | Johnny Light-green & Roger Edens | |
| The Emperor Flit | Victor Young | |
| The Pirate | Lennie Hayton | |
| Romance on the High Seas | Ray Heindorf | |
| When My Baby Smiles at Me | Alfred Newman | |
| 1949 (22nd) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| The Heiress | Aaron Copland | |
| Beyond the Forest | Max Steiner | |
| Champion | Dimitri Tiomkin | |
| Scoring of a Musical Picture show | ||
| On the Boondocks | Roger Edens & Lennie Hayton | |
| Jolson Sings Over again | Morris Stoloff & George Duning | |
| Look for the Silver Lining | Ray Heindorf | |
1950s [edit]
| Yr | Film | Nominees |
|---|---|---|
| 1950 (23rd) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Sunset Boulevard | Franz Waxman | |
| All About Eve | Alfred Newman | |
| The Flame and the Pointer | Max Steiner | |
| No Deplorable Songs for Me | George Duning | |
| Samson and Delilah | Victor Young | |
| Scoring of a Musical Picture | ||
| Annie Get Your Gun | Adolph Deutsch & Roger Edens | |
| Cinderella | Paul Smith & Oliver Wallace | |
| I'll Go By | Lionel Newman | |
| Iii Petty Words | André Previn | |
| The West Betoken Story | Ray Heindorf | |
| 1951 (24th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| A Place in the Sun | Franz Waxman | |
| David and Bathsheba | Alfred Newman | |
| Death of a Salesman | Alex North | |
| Quo Vadis | Miklós Rózsa | |
| A Streetcar Named Desire | North | |
| Scoring of a Musical Movie | ||
| An American in Paris | Saul Chaplin & Johnny Green | |
| Alice in Wonderland | Oliver Wallace | |
| The Swell Caruso | Peter Herman Adler & Green | |
| On the Riviera | Newman | |
| Evidence Boat | Adolph Deutsch & Conrad Salinger | |
| 1952 (25th) | ||
| Music Score of a Dramatic or Comedy Moving picture | ||
| Loftier Noon | Dimitri Tiomkin | |
| Ivanhoe | Miklós Rózsa | |
| The Miracle of Our Lady of Fatima | Max Steiner | |
| The Thief | Herschel Shush Gilbert | |
| Viva Zapata! | Alex Due north | |
| Scoring of a Musical Picture | ||
| With a Song in My Center | Alfred Newman | |
| Hans Christian Andersen | Walter Scharf | |
| The Jazz Vocalizer | Ray Heindorf & Steiner | |
| The Medium | Gian Carlo Menotti | |
| Singin' in the Rain | Lennie Hayton | |
| 1953 (26th) | ||
| Music Score of a Dramatic or Comedy Pic | ||
| Lili | Bronisław Kaper | |
| Above and Across | Hugo Friedhofer | |
| From Hither to Eternity | George Duning & Morris Stoloff | |
| Julius Caesar | Miklós Rózsa | |
| This Is Cinerama | Louis Forbes | |
| Scoring of a Musical Picture | ||
| Call Me Madam | Alfred Newman | |
| The 5,000 Fingers of Dr. T. | Friedrich Hollaender & Stoloff | |
| The Band Wagon | Adolph Deutsch | |
| Calamity Jane | Ray Heindorf | |
| Kiss Me Kate | Saul Chaplin & André Previn | |
| 1954 (27th) | ||
| Music Score of a Dramatic or Comedy Picture show | ||
| The High and the Mighty | Dimitri Tiomkin | |
| The Caine Mutiny | Max Steiner | |
| Genevieve | Larry Adler[notation four] | |
| On the Waterfront | Leonard Bernstein | |
| The Silver Beaker | Franz Waxman | |
| Scoring of a Musical Motion picture | ||
| Seven Brides for Seven Brothers | Saul Chaplin & Adolph Deutsch | |
| Carmen Jones | Herschel Burke Gilbert | |
| The Glenn Miller Story | Joseph Gershenson & Henry Mancini | |
| A Star Is Born | Ray Heindorf | |
| In that location's No Business organisation Like Prove Business organization | Alfred & Lionel Newman | |
| 1955 (28th) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Love Is a Many-Splendored Thing | Alfred Newman | |
| Boxing Cry | Max Steiner | |
| The Homo with the Aureate Arm | Elmer Bernstein | |
| Picnic | George Duning | |
| The Rose Tattoo | Alex North | |
| Scoring of a Musical Movie | ||
| Oklahoma! | Robert Russell Bennett, Jay Blackton & Adolph Deutsch | |
| Daddy Long Legs | Newman | |
| Guys and Dolls | Blackton & Cyril J. Mockridge | |
| It's Always Fair Weather | André Previn | |
| Love Me or Leave Me | Percy Organized religion & Georgie Stoll | |
| 1956 (29th) | ||
| Music Score of a Dramatic or Comedy Flick | ||
| Around the Earth in 80 Days | Victor Young (p.r.) | |
| Anastasia | Alfred Newman | |
| Betwixt Heaven and Hell | Hugo Friedhofer | |
| Giant | Dimitri Tiomkin | |
| The Rainmaker | Alex North | |
| Scoring of a Musical Moving-picture show | ||
| The Male monarch and I | Ken Darby & Newman | |
| The Best Things in Life Are Free | Lionel Newman | |
| The Eddy Duchin Story | George Duning & Morris Stoloff | |
| High Gild | Saul Chaplin & Johnny Green | |
| Meet Me in Las Vegas | Green & Georgie Stoll | |
| 1957 (30th) [note 5] [ten] | ||
| The Span on the River Kwai | Malcolm Arnold | |
| An Matter to Recall | Hugo Friedhofer | |
| Boy on a Dolphin | ||
| Perri | Paul Smith | |
| Raintree Canton | Johnny Greenish | |
| 1958 (31st) | ||
| Music Score of a Dramatic or One-act Flick | ||
| The Old Man and the Body of water | Dimitri Tiomkin | |
| The Big Land | Jerome Moross | |
| Separate Tables | David Raksin | |
| White Wilderness | Oliver Wallace | |
| The Immature Lions | Hugo Friedhofer | |
| Scoring of a Musical Motion picture | ||
| Gigi | André Previn | |
| The Bolshoi Ballet | Yuri Fayer & Gennady Rozhdestvensky | |
| Damn Yankees | Ray Heindorf | |
| Mardi Gras | Lionel Newman | |
| South Pacific | Ken Darby & Alfred Newman | |
| 1959 (32nd) | ||
| Music Score of a Dramatic or Comedy Picture show | ||
| Ben-Hur | Miklós Rózsa | |
| The Diary of Anne Frank | Alfred Newman | |
| The Nun's Story | Franz Waxman | |
| On the Embankment | Ernest Gilt | |
| Pillow Talk | De Vol | |
| Scoring of a Musical Picture | ||
| Porgy and Bess | Ken Darby & André Previn | |
| The Five Pennies | Leith Stevens | |
| Li'l Abner | Joseph J. Lilley & Nelson Riddle | |
| Say One for Me | Lionel Newman | |
| Sleeping Beauty | George Bruns | |
1960s [edit]
| Year | Film | Nominees |
|---|---|---|
| 1960 (33rd) | ||
| Music Score of a Dramatic or Comedy Picture | ||
| Exodus | Ernest Aureate | |
| The Alamo | Dimitri Tiomkin | |
| Elmer Gantry | André Previn | |
| The Magnificent Seven | Elmer Bernstein | |
| Spartacus | Alex North | |
| Scoring of a Musical Picture | ||
| Song Without End | Morris Stoloff & Harry Sukman | |
| Bells Are Ringing | André Previn | |
| Can-Can | Nelson Riddle | |
| Permit's Brand Honey | Earle Hagen & Lionel Newman | |
| Pepe | Johnny Greenish | |
| 1961 (34th) | ||
| Music Score of a Dramatic or One-act Picture | ||
| Breakfast at Tiffany's | Henry Mancini | |
| El Cid | Miklós Rózsa | |
| Fanny | Morris Stoloff & Harry Sukman | |
| The Guns of Navarone | Dimitri Tiomkin | |
| Summer and Smoke | Elmer Bernstein | |
| Scoring of a Musical Motion picture | ||
| West Side Story | Saul Chaplin, Johnny Green, Irwin Kostal & Sid Ramin | |
| Babes in Toyland | George Bruns | |
| Bloom Drum Song | Ken Darby & Alfred Newman | |
| Khovanshchina | Dmitri Shostakovich | |
| Paris Blues | Duke Ellington | |
| 1962 (35th) | ||
| Music Score — Essentially Original | ||
| Lawrence of Arabia | Maurice Jarre | |
| Freud | Jerry Goldsmith | |
| Mutiny on the Bounty | Bronisław Kaper | |
| Taras Bulba | Franz Waxman | |
| To Kill a Mockingbird | Elmer Bernstein | |
| Scoring of Music — Adaptation or Treatment | ||
| The Music Human | Ray Heindorf | |
| Billy Rose'southward Jumbo | Georgie Stoll | |
| Gigot | Michel Magne | |
| Gypsy | Frank Perkins | |
| The Wonderful World of the Brothers Grimm | Leigh Harline | |
| 1963 (36th) | ||
| Music Score — Substantially Original | ||
| Tom Jones | John Addison | |
| 55 Days at Peking | Dimitri Tiomkin | |
| Cleopatra | Alex North | |
| How the West Was Won | Ken Darby & Alfred Newman | |
| It's a Mad, Mad, Mad, Mad Earth | Ernest Gold | |
| Scoring of Music — Adaptation or Treatment | ||
| Irma la Douce | André Previn | |
| Bye Adieu Birdie | Johnny Green | |
| A New Kind of Dear | Leith Stevens | |
| Sundays and Cybele | Maurice Jarre | |
| The Sword in the Stone | George Bruns | |
| 1964 (37th) | ||
| Music Score — Substantially Original | ||
| Mary Poppins | Sherman Brothers | |
| Becket | Laurence Rosenthal | |
| The Autumn of the Roman Empire | Dimitri Tiomkin | |
| Hush...Hush, Sugariness Charlotte | De Vol | |
| The Pinkish Panther | Henry Mancini | |
| Scoring of Music — Adaptation or Treatment | ||
| My Off-white Lady | André Previn | |
| A Hard Solar day'south Night | George Martin | |
| Mary Poppins | Irwin Kostal | |
| Robin and the 7 Hoods | Nelson Riddle | |
| The Unsinkable Molly Brown | Robert Armbruster, Leo Arnaud, Jack Elliott, Jack Hayes, Calvin Jackson & Leo Shuken | |
| 1965 (38th) | ||
| Music Score — Substantially Original | ||
| Doctor Zhivago | Maurice Jarre | |
| The Agony and the Ecstasy | Alex North | |
| The Greatest Story Ever Told | Alfred Newman | |
| A Patch of Bluish | Jerry Goldsmith | |
| The Umbrellas of Cherbourg | Jacques Demy & Michel Legrand | |
| Scoring of Music — Accommodation or Treatment | ||
| The Sound of Music | Irwin Kostal | |
| True cat Ballou | De Vol | |
| The Pleasance Seekers | Sandy Courage & Lionel Newman | |
| A M Clowns | Don Walker | |
| The Umbrellas of Cherbourg | Legrand | |
| 1966 (39th) | ||
| Original Music Score | ||
| Born Free | John Barry | |
| The Bible: In the Beginning... | Toshiro Mayuzumi | |
| Hawaii | Elmer Bernstein | |
| The Sand Pebbles | Jerry Goldsmith | |
| Who's Afraid of Virginia Woolf? | Alex North | |
| Scoring of Music — Adaptation or Handling | ||
| A Funny Thing Happened on the Way to the Forum | Ken Thorne | |
| The Gospel Co-ordinate to St. Matthew | Luis Bacalov | |
| Return of the Vii | Bernstein | |
| The Singing Nun | Harry Sukman | |
| Stop the World – I Want to Get Off | Al Ham | |
| 1967 (40th) | ||
| Original Music Score | ||
| Thoroughly Modern Millie | Elmer Bernstein | |
| Cool Mitt Luke | Lalo Schifrin | |
| Dr. Dolittle | Leslie Bricusse | |
| Far from the Madding Crowd | Richard Rodney Bennett | |
| In Cold Blood | Quincy Jones | |
| Scoring of Music — Adaptation or Treatment | ||
| Camelot | Ken Darby & Alfred Newman | |
| Md Dolittle | Sandy Courage & Lionel Newman | |
| Guess Who's Coming to Dinner | De Vol | |
| Thoroughly Modern Millie | Joseph Gershenson & André Previn | |
| Valley of the Dolls | John Williams | |
| 1968 (41st) | ||
| Original Score — For a Motion Picture (Not a Musical) | ||
| The Lion in Winter | John Barry | |
| The Play tricks | Lalo Schifrin | |
| Planet of the Apes | Jerry Goldsmith | |
| The Shoes of the Fisherman | Alex N | |
| The Thomas Crown Affair | Michel Legrand | |
| Scoring of a Musical Film — Original or Adaptation | ||
| Oliver! | Johnny Green (adaptation score) | |
| Finian'southward Rainbow | Ray Heindorf (accommodation score) | |
| Funny Daughter | Walter Scharf (adaptation score) | |
| Star! | Lennie Hayton (adaptation score) | |
| The Young Girls of Rochefort | Legrand (music & adaptation score) & Jacques Demy (lyrics) | |
| 1969 (42nd) | ||
| Original Score — For a Motility Picture (Not a Musical) | ||
| Butch Cassidy and the Sundance Kid | Burt Bacharach | |
| Anne of the Chiliad Days | Georges Delerue | |
| The Reivers | John Williams | |
| The Secret of Santa Vittoria | Ernest Gilt | |
| The Wild Bunch | Jerry Fielding | |
| Scoring of a Musical Picture — Original or Accommodation | ||
| Hello, Dolly! | Lennie Hayton & Lionel Newman (adaptation score) | |
| Good day, Mr. Chips | Leslie Bricusse (music & lyrics) & John Williams (adaptation score) | |
| Paint Your Wagon | Nelson Riddle (adaptation score) | |
| Sugariness Charity | Cy Coleman (adaptation score) | |
| They Shoot Horses, Don't They? | Johnny Light-green & Albert Woodbury (adaptation score) | |
1970s [edit]
| Year | Film | Nominees |
|---|---|---|
| 1970 (43rd) | ||
| Original Score | ||
| Beloved Story | Francis Lai | |
| Aerodrome | Alfred Newman (p.n.) | |
| Cromwell | Frank Cordell | |
| Patton | Jerry Goldsmith | |
| Sunflower | Henry Mancini | |
| Original Vocal Score | ||
| Permit It Be | The Beatles (music & lyrics) | |
| The Babe Maker | Fred Karlin (music) & Tylwyth Kymry (lyrics) | |
| A Boy Named Charlie Brown | Rod McKuen (music & lyrics), John Scott Trotter (music), Bill Melendez, Al Shean (lyrics), Vince Guaraldi (adaptation score) | |
| Darling Lili | Henry Mancini (music) & Johnny Mercer (lyrics) | |
| Scrooge | Leslie Bricusse (music & lyrics), Ian Fraser & Herbert West. Spencer (accommodation score) | |
| 1971 (44th) | ||
| Original Dramatic Score | ||
| Summer of '42 | Michel Legrand | |
| Mary, Queen of Scots | John Barry | |
| Nicholas and Alexandra | Richard Rodney Bennett | |
| Shaft | Isaac Hayes | |
| Harbinger Dogs | Jerry Fielding | |
| Scoring: Adaptation and Original Vocal Score | ||
| Fiddler on the Roof | John Williams (adaptation score) | |
| Bedknobs and Broomsticks | Sherman Brothers (vocal score) & Irwin Kostal (accommodation score) | |
| The Boy Friend | Peter Maxwell Davies & Peter Greenwell (adaptation score) | |
| Tchaikovsky | Dimitri Tiomkin (adaptation score) | |
| Willy Wonka & the Chocolate Factory | Leslie Bricusse & Anthony Newley (song score) & Walter Scharf (adaptation score) | |
| 1972 (45th) | ||
| Original Dramatic Score | ||
| Limelight [notation 6] | Charlie Chaplin, Raymond Rasch (p.r.) & Larry Russell (p.r.) | |
| | Nino Rota | |
| Images | John Williams | |
| Napoleon and Samantha | Buddy Baker | |
| The Poseidon Adventure | John Williams | |
| Sleuth | John Addison | |
| Scoring: Adaptation and Original Song Score | ||
| Cabaret | Ralph Burns (adaptation score) | |
| Lady Sings the Blues | Gil Askey (adaptation score) | |
| Human of La Mancha | Laurence Rosenthal (accommodation score) | |
| 1973 (46th) | ||
| Original Dramatic Score | ||
| The Way Nosotros Were | Marvin Hamlisch | |
| Cinderella Liberty | John Williams | |
| The Twenty-four hour period of the Dolphin | Georges Delerue | |
| Papillon | Jerry Goldsmith | |
| A Touch of Class | John Cameron | |
| Scoring: Original Song Score and Accommodation or Scoring: Adaptation | ||
| The Sting | Marvin Hamlisch (accommodation score) | |
| Jesus Christ Superstar | André Previn, Herbert W. Spencer & Andrew Lloyd Webber (accommodation score) | |
| Tom Sawyer | Sherman Brothers (song score) & Williams (adaptation score) | |
| 1974 (47th) | ||
| Original Dramatic Score | ||
| The Godfather Part II | Nino Rota & Carmine Coppola | |
| Chinatown | Jerry Goldsmith | |
| Murder on the Orient Express | Richard Rodney Bennett | |
| Shanks | Alex Due north | |
| The Towering Inferno | John Williams | |
| Scoring: Original Song Score and Adaptation or Scoring: Accommodation | ||
| The Great Gatsby | Nelson Riddle (adaptation score) | |
| The Little Prince | Alan Jay Lerner & Frederick Loewe (song score), Douglas Gamley & Angela Morley (adaptation score) | |
| Phantom of the Paradise | Paul Williams (song & accommodation score) & George Tipton (accommodation score) | |
| 1975 (48th) | ||
| Original Score | ||
| Jaws | John Williams | |
| Birds Do It, Bees Practice Information technology | Gerald Fried | |
| Seize with teeth the Bullet | Alex North | |
| One Flew Over the Cuckoo's Nest | Jack Nitzsche | |
| The Wind and the Lion | Jerry Goldsmith | |
| Scoring: Original Song Score and Adaptation or Scoring: Accommodation | ||
| Barry Lyndon | Leonard Rosenman (adaptation score) | |
| Funny Lady | Peter Matz (accommodation score) | |
| Tommy | Pete Townshend (adaptation score) | |
| 1976 (49th) | ||
| Original Score | ||
| The Omen | Jerry Goldsmith | |
| Obsession | Bernard Herrmann (p.northward.) | |
| The Outlaw Josey Wales | Jerry Fielding | |
| Taxi Driver | Bernard Herrmann (p.due north.) | |
| Voyage of the Damned | Lalo Schifrin | |
| Original Song Score and Its Adaptation or Adaptation Score | ||
| Bound for Glory | Leonard Rosenman (accommodation score) | |
| Bugsy Malone | Paul Williams (song & adaptation score) | |
| A Star Is Born | Roger Kellaway (adaptation score) | |
| 1977 (50th) | ||
| Original Score | ||
| Star Wars | John Williams | |
| Close Encounters of the Third Kind | John Williams | |
| Julia | Georges Delerue | |
| Mohammad, Messenger of God | Maurice Jarre | |
| The Spy Who Loved Me | Marvin Hamlisch | |
| Original Song Score and Its Accommodation or Adaptation Score | ||
| A Little Night Music | Jonathan Tunick (adaptation score) | |
| Pete's Dragon | Joel Hirschhorn & Al Kasha (song score) & Irwin Kostal (adaptation score) | |
| The Slipper and the Rose | Sherman Brothers (song score) & Angela Morley (accommodation score) | |
| 1978 (51st) | ||
| Original Score | ||
| Midnight Express | Giorgio Moroder | |
| The Boys from Brazil | Jerry Goldsmith | |
| Days of Heaven | Ennio Morricone | |
| Heaven Can Wait | Dave Grusin | |
| Superman | John Williams | |
| Adaptation Score | ||
| The Buddy Holly Story | Joe Renzetti | |
| Pretty Baby | Jerry Wexler | |
| The Wiz | Quincy Jones | |
| 1979 (52nd) | ||
| Original Score | ||
| A Little Romance | Georges Delerue | |
| 10 | Henry Mancini | |
| The Amityville Horror | Lalo Schifrin | |
| The Champ | Dave Grusin | |
| Star Expedition: The Pic | Jerry Goldsmith | |
| Original Song Score and Its Adaptation or Adaptation Score | ||
| All That Jazz | Ralph Burns (adaptation score) | |
| Breaking Away | Patrick Williams (adaptation score) | |
| The Muppet Moving picture | Paul Williams (vocal & adaptation score) & Kenny Ascher (song score) | |
1980s [edit]
| Year | Film | Nominees |
|---|---|---|
| 1980 (53rd) | ||
| Fame | Michael Gore | |
| Contradistinct States | John Corigliano | |
| The Elephant Man | John Morris | |
| The Empire Strikes Dorsum | John Williams | |
| Tess | Philippe Sarde | |
| 1981 (54th) | ||
| Chariots of Fire | Vangelis | |
| Dragonslayer | Alex North | |
| On Golden Pond | Dave Grusin | |
| Ragtime | Randy Newman | |
| Raiders of the Lost Ark | John Williams | |
| 1982 (55th) | ||
| Original Score | ||
| E.T. the Extra-Terrestrial | John Williams | |
| Gandhi | George Fenton & Ravi Shankar | |
| An Officeholder and a Gentleman | Jack Nitzsche | |
| Poltergeist | Jerry Goldsmith | |
| Sophie's Selection | Marvin Hamlisch | |
| Original Song Score and Its Accommodation or Adaptation Score | ||
| Victor/Victoria | Henry Mancini (vocal & adaptation score) & Leslie Bricusse (song score) | |
| Annie | Ralph Burns (accommodation score) | |
| I from the Middle | Tom Waits (song score) | |
| 1983 (56th) | ||
| Original Score | ||
| The Right Stuff | Beak Conti | |
| Cross Creek | Leonard Rosenman | |
| Render of the Jedi | John Williams | |
| Terms of Endearment | Michael Gore | |
| Under Burn | Jerry Goldsmith | |
| Original Song Score and Its Adaptation or Adaptation Score | ||
| Yentl | Michel Legrand (song & adaptation score) & Alan & Marilyn Bergman (vocal score) | |
| The Sting 2 | Lalo Schifrin (adaptation score) | |
| Trading Places | Elmer Bernstein (adaptation score) | |
| 1984 (57th) | ||
| Original Score | ||
| A Passage to Bharat | Maurice Jarre | |
| Indiana Jones and the Temple of Doom | John Williams | |
| The Natural | Randy Newman | |
| The River | John Williams | |
| Under the Volcano | Alex North | |
| Original Vocal Score | ||
| Purple Rain | Prince | |
| The Muppets Take Manhattan | Jeff Moss | |
| Songwriter | Kris Kristofferson | |
| 1985 (58th) | ||
| Out of Africa | John Barry | |
| Agnes of God | Georges Delerue | |
| The Color Majestic | Chris Boardman, Jorge Calandrelli, Andraé Crouch, Jack Hayes, Jerry Hey, Quincy Jones, Randy Kerber, Jeremy Lubbock, Joel Rosenbaum, Caiphus Semenya, Fred Steiner & Rod Temperton | |
| Silverado | Bruce Broughton | |
| Witness | Maurice Jarre | |
| 1986 (59th) | ||
| Round Midnight | Herbie Hancock | |
| Aliens | James Horner | |
| Hoosiers | Jerry Goldsmith | |
| The Mission | Ennio Morricone | |
| Star Trek 4: The Voyage Dwelling | Leonard Rosenman | |
| 1987 (60th) | ||
| The Last Emperor | Ryuichi Sakamoto, David Byrne & Cong Su | |
| Cry Freedom | George Fenton & Jonas Gwangwa | |
| Empire of the Sun | John Williams | |
| The Untouchables | Ennio Morricone | |
| The Witches of Eastwick | John Williams | |
| 1988 (61st) | ||
| The Milagro Beanfield State of war | Dave Grusin | |
| The Accidental Tourist | John Williams | |
| Dangerous Liaisons | George Fenton | |
| Gorillas in the Mist | Maurice Jarre | |
| Rain Man | Hans Zimmer | |
| 1989 (62nd) | ||
| The Little Mermaid | Alan Menken | |
| Built-in on the 4th of July | John Williams | |
| The Fabulous Baker Boys | Dave Grusin | |
| Field of Dreams | James Horner | |
| Indiana Jones and the Last Crusade | John Williams | |
1990s [edit]
| Twelvemonth | Motion-picture show | Nominees |
|---|---|---|
| 1990 (63rd) | ||
| Dances with Wolves | John Barry | |
| Avalon | Randy Newman | |
| Ghost | Maurice Jarre | |
| Havana | Dave Grusin | |
| Domicile Alone | John Williams | |
| 1991 (64th) | ||
| Beauty and the Beast | Alan Menken | |
| Bugsy | Ennio Morricone | |
| The Fisher King | George Fenton | |
| JFK | John Williams | |
| The Prince of Tides | James Newton Howard | |
| 1992 (65th) | ||
| Aladdin | Alan Menken | |
| Bones Instinct | Jerry Goldsmith | |
| Chaplin | John Barry | |
| Howards Finish | Richard Robbins | |
| A River Runs Through It | Marker Isham | |
| 1993 (66th) | ||
| Schindler's List | John Williams | |
| The Age of Innocence | Elmer Bernstein | |
| The Firm | Dave Grusin | |
| The Fugitive | James Newton Howard | |
| The Remains of the Day | Richard Robbins | |
| 1994 (67th) | ||
| The Lion King | Hans Zimmer | |
| Forrest Gump | Alan Silvestri | |
| Interview with the Vampire | Elliot Goldenthal | |
| Little Women | Thomas Newman | |
| The Shawshank Redemption | ||
| 1995 (68th) [note eight] | ||
| Original Dramatic Score | ||
| The Postman | Luis Bacalov | |
| Apollo xiii | James Horner | |
| Braveheart | ||
| Nixon | John Williams | |
| Sense and Sensibility | Patrick Doyle | |
| Original Musical or One-act Score | ||
| Pocahontas | Alan Menken (music & orchestral score) & Stephen Schwartz (lyrics) | |
| The American President | Marc Shaiman | |
| Sabrina | John Williams | |
| Toy Story | Randy Newman | |
| Unstrung Heroes | Thomas Newman | |
| 1996 (69th) | ||
| Original Dramatic Score | ||
| The English Patient | Gabriel Yared | |
| Hamlet | Patrick Doyle | |
| Michael Collins | Elliot Goldenthal | |
| Shine | David Hirschfelder | |
| Sleepers | John Williams | |
| Original Musical or Comedy Score | ||
| Emma | Rachel Portman | |
| The First Wives Lodge | Marc Shaiman | |
| The Hunchback of Notre Dame | Alan Menken (music & orchestral score) & Stephen Schwartz (lyrics) | |
| James and the Behemothic Peach | Randy Newman | |
| The Preacher's Wife | Hans Zimmer | |
| 1997 (70th) | ||
| Original Dramatic Score | ||
| Titanic | James Horner | |
| Amistad | John Williams | |
| Good Volition Hunting | Danny Elfman | |
| Kundun | Philip Drinking glass | |
| L.A. Confidential | Jerry Goldsmith | |
| Original Musical or Comedy Score | ||
| The Total Monty | Anne Dudley | |
| Anastasia | Stephen Flaherty (music), Lynn Ahrens (lyrics) & David Newman (orchestral score) | |
| As Expert as Information technology Gets | Hans Zimmer | |
| Men in Black | Danny Elfman | |
| My Best Friend's Wedding | James Newton Howard | |
| 1998 (71st) | ||
| Original Dramatic Score | ||
| Life Is Beautiful | Nicola Piovani | |
| Elizabeth | David Hirschfelder | |
| Pleasantville | Randy Newman | |
| Saving Private Ryan | John Williams | |
| The Thin Red Line | Hans Zimmer | |
| Original Musical or Comedy Score | ||
| Shakespeare in Beloved | Stephen Warbeck | |
| A Bug'southward Life | Randy Newman | |
| Mulan | Matthew Wilder (music), David Zippel (lyrics) & Jerry Goldsmith (orchestral score) | |
| Patch Adams | Marc Shaiman | |
| The Prince of Egypt | Stephen Schwartz (music & lyrics) & Hans Zimmer (orchestral score) | |
| 1999 (72nd) | ||
| The Carmine Violin | John Corigliano | |
| American Beauty | Thomas Newman | |
| Angela's Ashes | John Williams | |
| The Cider House Rules | Rachel Portman | |
| The Talented Mr. Ripley | Gabriel Yared | |
2000s [edit]
| Twelvemonth | Pic | Nominees |
|---|---|---|
| 2000 (73rd) | ||
| Crouching Tiger, Subconscious Dragon | Tan Dun | |
| Chocolat | Rachel Portman | |
| Gladiator | Hans Zimmer[note nine] | |
| Malèna | Ennio Morricone | |
| The Patriot | John Williams | |
| 2001 (74th) | ||
| The Lord of the Rings: The Fellowship of the Ring | Howard Shore | |
| A.I. Artificial Intelligence | John Williams | |
| A Beautiful Mind | James Horner | |
| Harry Potter and the Sorcerer's Rock | John Williams | |
| Monsters, Inc. | Randy Newman | |
| 2002 (75th) | ||
| Frida | Elliot Goldenthal | |
| Catch Me If Y'all Can | John Williams | |
| Far from Heaven | Elmer Bernstein | |
| The Hours | Philip Glass | |
| Road to Perdition | Thomas Newman | |
| 2003 (76th) | ||
| The Lord of the Rings: The Return of the King | Howard Shore | |
| Big Fish | Danny Elfman | |
| Cold Mountain | Gabriel Yared | |
| Finding Nemo | Thomas Newman | |
| House of Sand and Fog | James Horner | |
| 2004 (77th) | ||
| Finding Neverland | January A. P. Kaczmarek | |
| Harry Potter and the Prisoner of Azkaban | John Williams | |
| Lemony Snicket'south A Series of Unfortunate Events | Thomas Newman | |
| The Passion of the Christ | John Debney | |
| The Village | James Newton Howard | |
| 2005 (78th) | ||
| Brokeback Mountain | Gustavo Santaolalla | |
| The Abiding Gardener | Alberto Iglesias | |
| Memoirs of a Geisha | John Williams | |
| Munich | ||
| Pride & Prejudice | Dario Marianelli | |
| 2006 (79th) | ||
| Babel | Gustavo Santaolalla | |
| The Proficient German | Thomas Newman | |
| Notes on a Scandal | Philip Glass | |
| Pan's Labyrinth | Javier Navarrete | |
| The Queen | Alexandre Desplat | |
| 2007 (80th) | ||
| Atonement | Dario Marianelli | |
| 3:10 to Yuma | Marco Beltrami | |
| The Kite Runner | Alberto Iglesias | |
| Michael Clayton | James Newton Howard | |
| Ratatouille | Michael Giacchino | |
| 2008 (81st) | ||
| Slumdog Millionaire | A. R. Rahman | |
| The Curious Case of Benjamin Button | Alexandre Desplat | |
| Defiance | James Newton Howard | |
| Milk | Danny Elfman | |
| WALL-E | Thomas Newman | |
| 2009 (82nd) | ||
| Up | Michael Giacchino | |
| Avatar | James Horner | |
| Fantastic Mr. Flim-flam | Alexandre Desplat | |
| The Injure Locker | Marco Beltrami & Buck Sanders | |
| Sherlock Holmes | Hans Zimmer |
2010s [edit]
| Twelvemonth | Film | Nominees |
|---|---|---|
| 2010 (83rd) | ||
| The Social Network | Trent Reznor & Atticus Ross | |
| 127 Hours | A. R. Rahman | |
| How to Railroad train Your Dragon | John Powell | |
| Inception | Hans Zimmer | |
| The King's Speech | Alexandre Desplat | |
| 2011 (84th) | ||
| The Creative person | Ludovic Bource | |
| The Adventures of Tintin | John Williams | |
| Hugo | Howard Shore | |
| Tinker Tailor Soldier Spy | Alberto Iglesias | |
| War Horse | John Williams | |
| 2012 (85th) | ||
| Life of Pi | Mychael Danna | |
| Anna Karenina | Dario Marianelli | |
| Argo | Alexandre Desplat | |
| Lincoln | John Williams | |
| Skyfall | Thomas Newman | |
| 2013 (86th) | ||
| Gravity | Steven Price | |
| The Book Thief | John Williams | |
| Her | Will Butler & Owen Pallett | |
| Philomena | Alexandre Desplat | |
| Saving Mr. Banks | Thomas Newman | |
| 2014 (87th) | ||
| The Grand Budapest Hotel | Alexandre Desplat | |
| The Imitation Game | Alexandre Desplat | |
| Interstellar | Hans Zimmer | |
| Mr. Turner | Gary Yershon | |
| The Theory of Everything | Jóhann Jóhannsson | |
| 2015 (88th) | ||
| The Mean Eight | Ennio Morricone | |
| Bridge of Spies | Thomas Newman | |
| Carol | Carter Burwell | |
| Sicario | Jóhann Jóhannsson | |
| Star Wars: The Force Awakens | John Williams | |
| 2016 (89th) [12] | ||
| La La Land | Justin Hurwitz | |
| Jackie | Micachu | |
| Lion | Hauschka & Dustin O'Halloran | |
| Moonlight | Nicholas Britell | |
| Passengers | Thomas Newman | |
| 2017 (90th) | ||
| The Shape of H2o | Alexandre Desplat | |
| Dunkirk | Hans Zimmer | |
| Phantom Thread | Jonny Greenwood | |
| Star Wars: The Last Jedi | John Williams | |
| Three Billboards Exterior Ebbing, Missouri | Carter Burwell | |
| 2018 (91st) | ||
| Black Panther | Ludwig Göransson | |
| BlacKkKlansman | Terence Blanchard | |
| If Beale Street Could Talk | Nicholas Britell | |
| Isle of Dogs | Alexandre Desplat | |
| Mary Poppins Returns | Marc Shaiman | |
| 2019 (92nd) | ||
| Joker | Hildur Guðnadóttir | |
| Trivial Women | Alexandre Desplat | |
| Matrimony Story | Randy Newman | |
| 1917 | Thomas Newman | |
| Star Wars: The Rise of Skywalker | John Williams |
2020s [edit]
| Twelvemonth | Film | Nominees |
|---|---|---|
| 2020/21 [notation ten] (93rd) | ||
| Soul | Trent Reznor, Atticus Ross and Jon Batiste | |
| Da 5 Bloods | Terence Blanchard | |
| Mank | Trent Reznor & Atticus Ross | |
| Minari | Emile Mosseri | |
| News of the World | James Newton Howard | |
| 2021 (94th) | ||
| Dune | Hans Zimmer | |
| Don't Wait Up | Nicholas Britell | |
| Encanto | Germaine Franco | |
| Parallel Mothers | Alberto Iglesias | |
| The Power of the Dog | Jonny Greenwood |
Notes [edit]
- ^ From 1934 until 1937, nominated films were represented by the caput of the film studio'due south music department rather than the composer. Each film's actual composer(s) are listed in parentheses.
- ^ Captain Blood was not officially nominated for this honor, simply appears in Academy records because it placed third in voting equally a write-in candidate in 1935.
- ^ From 1937 until 1945, pic studios could submit one eligible movie of their choosing, guaranteeing it a nomination.
- ^ Blacklisted composer Larry Adler'due south proper noun was removed from American prints of the British-made Genevieve. The movie's arranger and orchestrator Muir Mathieson was credited instead and received an Oscar nomination. In 1986, the Academy'south Board of Governors removed Mathieson'due south name from the nomination and gave information technology to Adler.
- ^ In 1957, dramatic and one-act films competed with musicals in a combined category called Music – Scoring. Fifteen scores were shortlisted with 10 from dramatic and one-act films and five from musicals. Voting resulted in no musical nominees.
- ^ Limelight was originally released in 1952, but had never screened theatrically in Los Angeles until 1972, at which signal it became eligible for Oscar consideration.
- ^ Nino Rota was nominated for The Godfather in 1972, but the nomination was revoked subsequently it was discovered Rota had reused music from the 1958 Italian motion picture Fortunella. The Academy'south entire music branch revoted for a fifth nominee. They could either renominate Rota for The Godfather or select one of the five other shortlisted scores: Ben by Walter Scharf, Fellini's Roma by Rota, The Life and Times of Judge Roy Bean past Maurice Jarre, The Other by Jerry Goldsmith, or Sleuth by John Addison. Sleuth received the most votes and became the 5th nominee.
- ^ From 1995 until 1998, Best Original Score was split into Original Dramatic Score and Original Musical or One-act Score. For musicals and comedies, songwriters and lyricists along with orchestral underscore composers were eligible for nomination.
- ^ Lisa Gerrard and Klaus Badelt likewise received screen credit for the Gladiator score, simply merely Zimmer was accounted eligible for the nomination.
- ^ The eligibility menstruum for the 93rd anniversary was exceptionally extended through to February 28, 2021, due to the bear on of the COVID-nineteen pandemic.
Superlatives [edit]
These are only for nominations in the Scoring categories. Nominations in other categories, such as the Original Vocal category, are not included.
| Category | Name | Meridian | Notes |
|---|---|---|---|
| Nearly Awards | Alfred Newman | nine awards | Awards resulted from 41 nominations |
| Most Nominations | John Williams | 47 nominations | Nominations resulted in 5 awards |
| Most Nominations without an Award | Thomas Newman / Alex North | 14 nominations |
Only one composer has won 2 Scoring Oscars the same year: in 1973, Marvin Hamlisch won Original Dramatic Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that yr for The Manner We Were, making him the only composer to win three music Oscars in the same year.
But one composer has won Oscars three years in a row: Roger Edens won for Easter Parade (1948), On the Town (1949) and Annie Get Your Gun (1950).
Eight composers have won Oscars two years in a row:
- Ray Heindorf won for Yankee Putter Cracking (1942) and This Is the Army (1943).
- Franz Waxman won for Dusk Boulevard (1950) and A Place in the Sunday (1951).
- Alfred Newman won for With a Song in My Centre (1952) and Phone call Me Madam (1953). He won again two years in a row for Beloved Is a Many-Splendored Thing (1955) and The Rex and I (1956).
- Adolph Deutsch won for 7 Brides for 7 Brothers (1954) and Oklahoma! (1955).
- André Previn won for Gigi (1958) and Porgy and Bess (1959). He won again two years in a row for Irma la Douce (1963) and My Fair Lady (1964).
- Leonard Rosenman won for Barry Lyndon (1975) and Leap for Glory (1976).
- Alan Menken won for Beauty and The Beast (1991) and Aladdin (1992).
- Gustavo Santaolalla won for Brokeback Mountain (2005) and Babel (2006).
Female person nominees [edit]
As of 2022, only x women have been nominated in Music Score categories: Ann Ronell, Tylwyth Kymry aka Meg Karlin, Angela Morley, Marilyn Bergman, Rachel Portman, Anne Dudley, Lynn Ahrens, Mica Levi, Hildur Guðnadóttir, and Germaine Franco. Kymry, Bergman, and Ahrens were nominated for their contribution as lyricists.
Four women take won in the scoring categories. Iii are composers: Rachel Portman, who won for Emma (1996); Anne Dudley, who won for The Full Monty (1997); and Hildur Guðnadóttir, who won for Joker (2019). The fourth is lyricist Marilyn Bergman, who won for Yentl (1983) in the Original Vocal Score category, sharing the laurels with co-lyricist Alan Bergman (her husband) and composer Michel Legrand. Hildur Guðnadóttir is the only woman to win the award under no qualifications; Bergman won for Best Song Score while Portman and Dudley won for Best Musical or Comedy Score.
The female composers nominated for multiple Scoring Oscars are Rachel Portman, who was nominated for Emma (1996) (for which she won for Best Musical or One-act Score), The Cider House Rules (1999), and Chocolat (2000); and Angela Morley, who was nominated twice in the Original Song Score or Adaptation Score category for The Little Prince (1974) and The Slipper and the Rose (1976).
Notable nominees [edit]
Dmitri Shostakovich and Duke Ellington were both nominated the same twelvemonth only lost to the arrangers of Due west Side Story.
The scores of Midnight Express by Giorgio Moroder in 1979, Slumdog Millionaire past A. R. Rahman in 2009, and The Social Network by Trent Reznor and Atticus Ross in 2011 are the only scores with electronic-based music ever to win the award. In improver, the electronic-based scores of Witness past Maurice Jarre in 1986, Rain Human past Hans Zimmer in 1989, and Her by William Butler, and Owen Pallett in 2014 have as well been nominated.
Noted nominated composers known for their music mostly exterior the film world include: Aaron Copland, Kurt Weill, Gian-Carlo Menotti, Philip Glass, John Corigliano, Peter Maxwell Davies, Randy Newman, Richard Rodney Bennett, Stephen Schwartz, Andrew Lloyd Webber, Artie Shaw, Trent Reznor, Quincy Jones, Herbie Hancock, and Jonny Greenwood.
Rock musicians and pop stars are most often nominated in the songwriting category. A handful that were nominated in the Scoring categories includes: The Beatles, Prince, Pete Townshend, Rod McKuen, Isaac Hayes, Kris Kristofferson, Quincy Jones, Randy Newman, Anthony Newley, Paul Williams, Tom Waits, David Byrne, Ryuichi Sakamoto, Trent Reznor, Jon Batiste, and Matthew Wilder.
Tape producers George Martin (The Beatles) and Jerry Wexler (Atlantic Records) as well received nominations in the Scoring categories.
At the age of 87, Ennio Morricone became the oldest winner in Oscar history at the time for a competitive accolade.[13] [14]
Multiple nominations [edit]
The post-obit is a list of composers nominated more than than one time and winning at least one Academy Honor (in this category). This list is sorted by number of awards, with the number of total nominations listed in parentheses. These do non include nominations (or awards) in the Best Original Song category.
- 9: Alfred Newman (43)
- 5: John Williams (47) Likewise received five nominations for Best Original Song, which brings his total to 52 - the most nominated person in all of the music categories combined, and the most nominated living individual in any Oscars category.
- 4: Johnny Light-green (12)
- four: André Previn (eleven)
- 4: John Barry (half-dozen)
- four: Alan Menken (5)
- 3: Max Steiner (24)
- 3: Ray Heindorf (17)
- 3: Morris Stoloff (17)
- three: Miklós Rózsa (sixteen)
- 3: Dimitri Tiomkin (fourteen)
- 3: Maurice Jarre (8)
- 3: Ken Darby (6)
- 3: Roger Edens (6)
- 3: Saul Chaplin (five)
- three: Adolph Deutsch (5)
- 2: Hans Zimmer (12)
- 2: Alexandre Desplat (11)
- 2: Franz Waxman (11)
- 2: Henry Mancini (seven)
- ii: Lennie Hayton (half dozen)
- 2: Michel Legrand (6)
- 2: Irwin Kostal (5)
- 2: Marvin Hamlisch (4)
- 2: Leonard Rosenman (4)
- 2: Ralph Burns (iii)
- 2: Howard Shore (3)
- two: Gustavo Santaolalla (2)
- 2: Trent Reznor (iii)
- 2: Atticus Ross (iii)
- 1: Jerry Goldsmith (17)
- i: Victor Young (17)
- 1: Herbert Stothart (11)
- 1: Elmer Bernstein (10)
- ane: Hugo Friedhofer (9)
- one: Lionel Newman (nine)
- ane: Georgie Stoll (nine)
- i: James Horner (8)
- 1: Leigh Harline (7)
- 1: Charles Previn (7)
- 1: Paul Smith (7)
- one: Dave Grusin (6)
- i: Ennio Morricone (6) Likewise received an Academy Honorary Award.
- 1: Leslie Bricusse (v)
- one: Georges Delerue (5)
- 1: Richard Hageman (v)
- ane: Bernard Herrmann (5)
- i: Nelson Riddle (five)
- ane: Oliver Wallace (5)
- one: Aaron Copland (4)
- 1: Ernest Gilt (4)
- i: Leo F. Forbstein (four)
- ane: Richard M. Sherman (4)
- 1: Robert B. Sherman (four)
- i: Louis Silvers (4)
- one: Frank Churchill (iii)
- 1: Elliot Goldenthal (3)
- i: Erich Wolfgang Korngold (3)
- i: Bronisław Kaper (3)
- i: Dario Marianelli (3)
- 1: Rachel Portman (three)
- 1: Stephen Schwartz (3)
- 1: Harry Sukman (3)
- i: Gabriel Yared (3)
- 1: John Addison (2)
- 1: Luis Bacalov (two)
- 1: Robert Russell Bennett (2)
- ane: Jay Blackton (two)
- 1: John Corigliano (two)
- one: Michael Giacchino (2)
- 1: Michael Gore (2)
- i: W. Franke Harling (2)
- 1: A. R. Rahman (ii)
- ane: Heinz Roemheld (ii)
- 1: Nino Rota (two)
- one: Leo Shuken (2)
The post-obit composers have been nominated for a Best Original Score Oscar more in one case but have notwithstanding to garner ane. The number of nominations is listed in parentheses. These practice not include nominations (or awards) in the Best Original Song category.
Deceased:
- Alex N (14) Received an Academy Honorary Honour.
- Walter Scharf (9)
- Roy Webb (seven)
- Werner Janssen (6)
- George Duning (5)
- Edward Ward (5)
- Edward H. Plumb (iv)
- Frank De Vol (4)
- Frank Skinner (four)
- George Bruns (3)
- Richard Rodney Bennett (3)
- Louis Gruenberg (3)
- Marvin Hatley (3)
- Ernst Toch (three)
- Charles Wolcott (3)
- Daniele Amfitheatrof (2)
- Jóhann Jóhannsson (2)
- Jack Nitzsche (ii) Has won 1 Oscar Accolade for Original Song.
- Richard Robbins (2)
- Victor Schertzinger (two)
- Meredith Willson (2)
Living:
- Thomas Newman (14)
- Randy Newman (9) Has won 2 Oscar Awards for Original Song.
- James Newton Howard (vii)
- Lalo Schifrin (five) Received an University Honorary Accolade.
- Danny Elfman (iv)
- George Fenton (4)
- Alberto Iglesias (4)
- Marc Shaiman (4)
- Philip Drinking glass (iii)
- Quincy Jones (3) Has won the Jean Hersholt Humanitarian Award, a special Academy Honour.
- Nicholas Britell (3)
- Marco Beltrami (two)
- Terence Blanchard (two)
- Carter Burwell (2)
- Patrick Doyle (2)
- Jonny Greenwood (two)
- David Hirschfelder (2)
See also [edit]
- University Award for Best Original Song
- BAFTA Award for Best Motion picture Music
- Critics' Choice Movie Accolade for Best Score
- Aureate Earth Award for All-time Original Score
- Grammy Honour for Best Instrumental Composition
- Grammy Award for Best Popular Instrumental Performance
- Grammy Award for Best Score Soundtrack for Visual Media
- Grammy Honour for Best Compilation Soundtrack for Visual Media
- Grammy Award for Best Arrangement, Instrumental or A Cappella
- Saturn Honor for Best Music
References [edit]
- ^ "Rule Sixteen: Special Rules for the Best Picture of the Year Accolade | Rules for the 85th Academy Awards | Academy of Movement Picture Arts & Sciences". Oscars.org. 2012-08-24. Archived from the original on 2013-12-11. Retrieved 2014-05-15 .
- ^ Buchanan, Kyle (28 Apr 2020). "Oscars Dominion to Allow Films to Skip a Theatrical Release This Year". The New York Times.
- ^ Lochner, Jim (18 May 2010). "1934: The Twelvemonth Oscar Scored". filmscoreclicktrack.com. Archived from the original on 2017-11-24.
- ^ "1944". Oscars.org. Retrieved 2020-01-28 .
- ^ a b Elias, Justine (12 March 2000). "OSCAR FILMS/OSCAR FILMS/THE RULES; Squeezing Music Into Pigeonholes". New York Times.
- ^ Hammond, Pete (April 28, 2020). "Oscars Keeping Prove Engagement But Make Large News Equally Academy Lightens Eligibility Rules, Combines Audio Categories, Ends DVD Screeners and More". Deadline Hollywood.
- ^ "Honour rules and campaign regulations approved for 94th Oscars". oscars.org. 30 June 2021.
- ^ a b "Rules & Eligibility". Oscars.org - Academy of Movement Picture Arts and Sciences. 28 July 2014.
- ^ "The Official Academy Awards Database". Academy of Motility Picture Arts and Sciences. Archived from the original on February 27, 2009. Retrieved January xi, 2018.
- ^ "1957 Academy Honour Voting Rules". Academy of Motion Picture Arts and Sciences. 1957. Retrieved January x, 2018.
- ^ "Vote Settles Oscar Tunes". Billboard. March 17, 1973. Retrieved December 31, 2017.
- ^ "Academy Awards 2017: Consummate list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
- ^ "Oscar win at 87 may make Ennio Morricone the oldest winner ever". David Ng. Los Angeles Times. February 28, 2016. Retrieved March 2, 2016.
- ^ "Italy, Hollywood Celebrate Ennio Morricone'southward Beginning Competitive Win". Ariston Anderson. The Hollywood Reporter. February 28, 2016. Retrieved March 2, 2016.
External links [edit]
- Oscars.org (official University site)
- The Academy Awards Database (official site)
- Oscar.com (official ceremony promotional site)
Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Original_Score
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